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Posts Tagged ‘art’

One of several sculptures commemorating the 38,000 Irish famine victims who arrived on Toronto's shores in 1847

One of several sculptures at Ireland Park commemorating the 38,000 Irish famine victims who arrived on Toronto’s shores in 1847.

It felt like a day for wandering along the waterfront. I appreciated my encounters with art, nature, coffee and other things on this day after Halloween, this Day of the Dead.

Part of Meryl McMaster's In-Between Worlds series

Part of Meryl McMaster’s In-Between Worlds series

Squirrel

Squirrel

Cutie-pie dog

Cutie-pie dog

It’s difficult to participate in life fully, i.e., have meaning, work and an income when the world doesn’t see you. So, even though I’m wearing the fall coat that I have on all the time I’m still linking up with Patti’s Visibles over at Not Dead Yet Style. I need another dozen years of visibility.

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Being This, 2012

Being This, 2012

I was at the AGO (Art Gallery of Ontario) on Wednesday evening. Liz Magor’s exhibition, Surrender, engaged me and is still on my mind. Her works explore our dependence on domestic objects and fabrications to create a sense of self.

Being This, detail

Being This, detail

Everything I own fits into a van and I’m still downsizing. I’ve tossed most things and started over a few times and, as a result, I’m not particularly attached to objects nor do I accumulate much stuff. Yet, I’m not a strict minimalist either. Or perhaps I’m a minimalist in training, still refining and building.

I wanted my own greenhouse and studio and, by extension, house. Up until a few years ago I still assumed I would at least have my own home. As my expectations, aspirations and general worldview have shifted I’ve developed an interest in fashion and personal style. In this sense, Magor’s work resonates with me. A relationship with things – a personal style – is part of a sense of self.

2009?

Part of Liz Magor’s Surrender exhibit

On Sunday I briefly poked around the St Lawrence Antiques and Collectibles Market to see what others were looking for or had discarded in their creations of self.

004crHere’s a fun quiz from Sylvia over at 40plusStyle if you want to check your style. I get casual eclectic, which, while not always expressed, does correspond with my sense of self.

I’m linking up with Patti and the Visibles at Not Dead Yet Style’s Visible Monday.

I’m wearing a blue-gray shirt (J Crew, old, thrifted), black tank top (The Loft), gray slightly asymmetrical skirt (Fresh Produce, old), and black/cream pony hair slip-ons (Campers, old).

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Central Chambers building, Queen Anne Revival style, 1890

June 4th & 5th marked the 10th annual Doors Open Ottawa weekend. Of the 111 participating sites I made it out to about 10. There were a few others I would have liked to visit but late starts, bus schedules, distances, walking and just enjoying the day came into play. Weatherwise it was a perfect weekend.

The Central Chambers building is one of my favourites. It looks more like a contemporary revival rather than a Victorian-era building. It was the first building in Ottawa to have an electric elevator and is thought to be the first in North America with bay windows.

The grounds at Rideau Hall are spectacular. I wonder if the Governor Generals ever have the time or inclination to enjoy this beautiful oasis. As for the residence, the tent room, a former indoor tennis court, is kinda quirky and gay, but, what I most enjoyed were the paintings representing early immigration to Canada.

And just a couple blocks away, Gordon Harrison’s cottage studio was a lovely spot with live music, wine and, of course, quite awesome art works.

The Lester B. Pearson building, home to the Department of Foreign Affairs and International Trade, had a great collection of models of Canadian embassies in other parts of the world, as well as staff, literature and video on DFAIT’s roles.

Maplelawn is a beautiful Georgian-style home and garden. The historical building has been re-adapted and currently functions as a restaurant. The walled gardens date back to 1833 and served as a vegetable garden. It holds a lovely collection of perennials and the grounds are maintained by volunteers.

The Enriched Bread Artists and Gladstone Clayworks Coop are housed in another re-adapted building. The 1924 industrial building was the site of the Standard Bread Factory. I had meant to stop in at the nearby Traffic Operations but with thoughts of coffee in my head it slipped my mind.

I had started Sunday at Fairfields, a 19th century Gothic Revival farmhouse. It was home to five generations of the Bell family and also functioned as a tavern and hotel. In addition to farming, various members of the family were active in law and politics. A number of period artifacts were on display in the garden and, even with the interpreter’s clues, I was not able to guess what most of them had been used for.

Keg Manor – Thompson House, Maplelawn

Maplelawn Gardens

Standard Bread, 1924

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